One of the brilliant aspects of Taylor Swift’s rise to pop stardom is the way she’s managed to convince millions of fans, the majority of whom are women her age or younger, that she’s one of them. Swift, in a conspiratorial girl-to-girl tone, shot back: “We’ll talk later.” She’s never disappointed me.”Īt the end of the fifth song, a propulsive number in which Swift exhorts a departing lover to stay, another young woman wiped a tear and confessed: “We’ve all gone through it!” Halfway through the Beverly Hills listening session, 21-year-old Cal State Bakersfield student Marisel Maldonado said “she’s describing my life right now …. Swift’s transformation from precocious teenage country-pop singer and songwriter into a full-blown pop star, which began in earnest on “Red,” is fully realized in “1989.” New songs burst with hooks and with choruses so catchy the living room audience began singing along before some songs ended. “There was this huge fear that they may be about to hear an album from me that sounded alien to them,” she said, shifting into a sing-song delivery as she added, “like I’d be singing ‘Dance, dance, dance in the club, club, club and the beat drops.’” “I think they were shocked that I was honest with them about it. “I don’t think the country music community was shocked that I made a pop album,” she added. It showed that this part of my music is really working, and it’s something I’m really passionate about. 1 on the singles chart, a lot of the world should have seen that as a warning flare. Wearing a creme-colored sweater, chunky heels and plaid mini-skirt, she added: “Looking back, I think when ‘I Knew You Were Trouble’ spent seven weeks at No. “I think if you respect, admire and love a person - or in this case, a musical community - you’ll be honest with them and very upfront about what’s happening,” she said in reference to her continuing musical evolution. The latter exposure may compensate for reduced airtime she’ll likely receive from country radio, where Swift established her career starting with the 2006 release of her debut album “Taylor Swift.” She has called “1989” her first “official pop album,” and much of it was created in collaboration with pop-R&B producer songwriters Max Martin and Shellback, Ryan Tedder and singer-songwriter Jack Antonoff of Fun. In between she’s showing up on “The View” on Wednesday, and she’ll be omnipresent on the radio all this week as more than 900 iHeartRadio-affiliate pop stations across the country will carry programs spotlighting Swift and her new album. Swift is always cognizant of the business side of her career and is well into a media blitz supporting her latest collection with appearances last week on “Jimmy Kimmel Live!,” two drop-ins to ABC’s Good Morning America” on Monday and this Thursday, and a visit to NBC’s “The Voice” on Monday. So far, no album released in 2014 has sold more than 1 million copies, and the biggest first-week sales figure this year came in May with Coldplay’s “Ghost Stories,” which sold just under 383,000 copies. Billboard projections are putting first-week sales in the 800,000 neighborhood, which in the ever-shrinking world of music sales is still a rare achievement. The big question facing “1989” is whether Swift will be able to strike platinum a third time.
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